Das Bild ist eine politische Karikatur, die die Auswirkungen des Klimawandels auf extreme Wetterereignisse darstellt. Im Vordergrund ist ein Haus, das bis zur Dachrinne von Hochwasser umgeben ist. Auf dem Dach steht ein Elefant in einem Anzug, der mit einem Zeigefinger nach oben zeigt. Der Elefant ist ein Symbol fΓΌr die Republikanische Partei in den USA. Um das Haus herum schwimmen TrΓΌmmerteile und HolzstΓΌcke, was die ZerstΓΆrung durch das Hochwasser verdeutlicht. Im Hintergrund ist ein Baum und ein Strommast zu sehen. Der Himmel ist bewΓΆlkt, was die trΓΌbe Stimmung unterstreicht. Am unteren Rand des Bildes steht der Text: βKlimawandel fΓΆrdert keine extreme Wetter. Ich bin hier oben fΓΌr den Blick.β Dieser Satz ist eine satirische Anspielung auf die Behauptungen, dass Klimawandel keine Rolle bei extremen Wetterereignissen spielt.
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The image features a black background with a yellow border. At the top, there is a yellow emoji with sunglasses and a smile. Below the emoji, there is white text in a serif font that reads: "Just be yourself. People donβt have to like you, and you donβt have to care." The text is centered and occupies the majority of the image space. The overall design is simple and the contrast between the black background and white text makes the message stand out clearly.
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The image depicts a cartoon scene with a man wearing a cowboy hat and vest, holding a rope, standing on the left side of the frame. He is facing a small, tilted structure resembling a bookshelf, which is filled with books and appears to be a trap. The structure is supported by a single pole and is connected to the ground by a rope. In the background, a silhouette of a person is walking towards the bookshelf trap. The setting is a barren landscape with sparse vegetation. The sky is a soft pink, suggesting either dawn or dusk. At the bottom of the image, there is a caption that reads, "ATTEMPTING TO CAPTURE A WILD LIBRARIAN USING A TRAP BAITED WITH A BADLY-ORGANISED BOOKSHELF." The artist's name, "TOM GAULD," is signed at the bottom right corner, and the image is numbered "1/100."
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π¬ 1Β Β π 11Β Β β€οΈ 71Β Β·Β Elodie!!!!! I was walking to brunch w friends when I saw someone wearing a shirt that said βcentaur rugbyβ. I know they probably mean the team is named Centaur, but I couldnβt heβ¦
π¬ 0Β Β π 0Β Β β€οΈ 1Β Β·Β Hi all terribly sorry for not posting in a while I have a big work project I am working on and I'm competing in horse shows basically every weekend so I am very busyπ«
I promise tβ¦
I wanna know why there's no alternatives. Sure, the amount of credit card processors is thing, but American Express and Discover are still out there, they could easily pick up the slack. What about using debit, there's many companies processing those, all but ensuring that someone will allow it. And finally they're are consumer finance companies like Synchrony who could easily offer a solution.
The image features a humorous meme with a white background. At the top, bold blue text reads "THE MYTH OF ARTISTIC FREEDOM." Below this, two speech bubbles are visible: one from a man saying "I want to draw it," and one from a woman saying "I want to see it." On the right side, the logos of Mastercard and Visa are prominently displayed, with the text "I DON'T!" above them. At the bottom, in bold blue text, it reads "ISN'T THERE SOME RANDOM PAYMENT PROCESSOR YOU FORGOT TO ASK?" The image humorously suggests that artistic freedom is limited by the need to consider payment processors.
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Wonder how this'll go, this'll make a big difference in the world. I wonder how common battery swap scooters and motorcycles are out there, because that'll make a big difference in whether this succeeds or not.
The image is a political cartoon featuring a character resembling Donald Trump, depicted with exaggerated features, including a large head and a red tie. He is pointing and shouting "SQUIRREL!" in a large speech bubble. To his left, there is a dog with multiple heads, each labeled "MSM," standing with a surprised expression. The dog's heads are shaking, and one has its tongue out. To the left of the character, there is a folder labeled "EPSTEIN FILES." On the right side of the image, there is a smartphone displaying the text "CRAZY TRUMP TRUTH SOCIAL POSTS" with red lines indicating sound or movement. The cartoon is labeled "WHAM AND" and "Cagle.com/Whamord" in the top right corner. The cartoon includes a note at the bottom left that reads "Apologies to An Up! movie."
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Democratic politicians have a chronic problem: they keep accepting Republican framing instead of creating their own. They run scared of Fox News, moderate their positions to appease the unappeasablβ¦
The image depicts a cartoon scene set in a living room. A man is seated in a chair, holding a piece of bacon and a plate with more bacon pieces. He is wearing glasses, a gray sweater, and blue jeans. A speech bubble above him reads, "I TRICK HIM INTO TAKING HIS PILLS BY WRAPPING THEM IN BACON." A woman stands in the doorway, looking at the man, wearing a green cardigan, a purple shirt, and a blue skirt. A white dog with black spots is sitting on the floor, looking up at the man. The room has a lamp on a side table, a book, and a framed picture on the wall. The overall atmosphere is humorous, with the man's action of wrapping pills in bacon as the focal point.
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The image features a social media post by Thomas Clay Jr., with a timestamp of 5 hours ago. The post includes a headline and a detailed description of an incident involving a policy clash. The headline reads, "You Wants All Immigrants Out of America but He Canβt Even Keep Immigrants Out of His Wife." β Newsom Destroys Miller With One Scandalous Line, Leaving the Studio in Total Chaos. The description elaborates on how the incident was supposed to be a routine policy clash until Newsom's unfiltered shot caused the room to fall silent, leading to Miller's downfall. The post mentions that the hosts froze, the audience gasped, and the conversation shifted from policy to personal devastation. It also notes that behind the scenes, producers scrambled, and online, the incident went viral. The post concludes with a statement that everyone agrees Stephen Miller got hit where it hurts, and no spin can save him now.
The image includes two photographs of men in suits, one with gray hair and the other bald, and a smaller circular inset image of a woman in a white top. The background of the post is white, and the text is in black, with the headline in a larger font size.
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The image depicts a job interview scenario in a modern office setting. In the first panel, four individuals are seated around a table, engaged in a conversation with a job candidate. The interviewer, on the left, states, "We offer a competitive salary." The candidate responds, "Great, how much is it?" The interviewer then says, "Don't worry about it, it's competitive. Anyways, what skills do you have?" The candidate replies, "Oh, I have amazing skills." The second panel shows the interviewer asking, "Great, can you tell me more about them?" The candidate responds, "Don't worry, they're amazing." The office environment is bright, with large windows in the background, and the table is equipped with papers, a tablet, and a smartphone. The image is labeled "SADANDUSELESS.COM" in the bottom right corner.
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The image is a screenshot of a tweet from the account "Warpaint Journal" with the handle "[@]WarpaintJournal." The tweet is written in black text on a white background and is formatted in a block-style paragraph. The tweet discusses the changing role of daughters in society, emphasizing that they are no longer raised to be wives but to be people. It highlights that daughters are being raised to earn their own money, choose their own timing, live alone if they need to, and not apologize for wanting more. The tweet also mentions that daughters are building lives where love is welcome but not begged for, questioning things their mothers had to silently accept, and choosing healing, not just habits. The tweet concludes by stating that for people used to obedience, this kind of freedom looks like defiance. The account's logo, a red circle with the text "Warpaint Journal" in white, is visible at the top left corner of the tweet.
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The image shows a screenshot of a Twitter conversation. The first tweet is from a user named "kroger winona ryder" with the handle "[@]bristianchale." The tweet reads, "oh there are definitely friends with consequences." The second tweet is from a user named "van haley" with the handle "[@]vanhaley_yt," and it reads, "friends w benefits implies the existence of friends w consequences." The background of the tweets is dark, and the text is white. The "Follow" button is visible next to the first user's name. The conversation appears to be about the implications of having friends with benefits.
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The image is a political cartoon by Mike Luckovich, featuring a character with blonde hair, dressed in a black suit and red tie, walking away from a yellow snake with the words "MAGA" and "DON'T TREAD ON ME" written on it. The snake is depicted as being trampled by the character's footsteps. The character is shown with a speech bubble that reads, "OBAMA, HILLARY, COMEY AND BIDEN DID IT..." The cartoon is set against a plain white background, with the artist's signature and Twitter handle "[@]mluckovichajc" visible at the top left corner. The cartoon is accompanied by a "Follow" button, indicating it is a tweet.
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The image is a cartoon depicting a humorous interaction between a man and a woman. The man, seated at a desk with a computer, appears shocked and confused. He has a balding head, a large nose, and is wearing a white shirt. The woman, standing beside him, has long black hair, wears a pink top and pink pants, and looks concerned. The man is saying, "But how can it be fake if it says exactly what I think?" while the woman responds, "No, Dad... that's fake news." The background is a simple blue, and the artist's signature, "Daniel Paz," is visible in the bottom left corner. The cartoon humorously addresses the issue of misinformation and the tendency to believe information that aligns with one's preconceived notions.
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The image features a black background with five cartoon cats sitting in a row. The cats are drawn in a simple, playful style, each with distinct features and colors. From left to right, the first cat is black with white markings and large eyes. The second cat is pink with stripes and a neutral expression. The third cat is beige with brown spots and is wearing round glasses. The fourth cat is pink with a floral headband and heart patterns on its body. The fifth cat is white with brown spots and a small smile. Above the cats, the text reads "I GOOGLED MY Symptoms" in white and pink letters. Below the cats, the text continues with "TURNED OUT I JUST Need More CATS" in white and pink letters, with heart symbols on either side of the word "Need." The overall theme of the image is humorous, suggesting that the solution to one's problems is simply to acquire more cats.
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![The image is a screenshot of a tweet from the account "Warpaint Journal" with the handle "[@]WarpaintJournal." The tweet is written in black text on a white background and is formatted in a block-style paragraph. The tweet discusses the changing role of daughters in society, emphasizing that they are no longer raised to be wives but to be people. It highlights that daughters are being raised to earn their own money, choose their own timing, live alone if they need to, and not apologize for wanting more. The tweet also mentions that daughters are building lives where love is welcome but not begged for, questioning things their mothers had to silently accept, and choosing healing, not just habits. The tweet concludes by stating that for people used to obedience, this kind of freedom looks like defiance. The account's logo, a red circle with the text "Warpaint Journal" in white, is visible at the top left corner of the tweet.](https://blog.taursnd.haus/photo/8902803711687d8aff972c5580797234-0.jpeg "The image is a screenshot of a tweet from the account \"Warpaint Journal\" with the handle \"[@]WarpaintJournal.\" The tweet is written in black text on a white background and is formatted in a block-style paragraph. The tweet discusses the changing role of daughters in society, emphasizing that they are no longer raised to be wives but to be people. It highlights that daughters are being raised to earn their own money, choose their own timing, live alone if they need to, and not apologize for wanting more. The tweet also mentions that daughters are building lives where love is welcome but not begged for, questioning things their mothers had to silently accept, and choosing healing, not just habits. The tweet concludes by stating that for people used to obedience, this kind of freedom looks like defiance. The account's logo, a red circle with the text \"Warpaint Journal\" in white, is visible at the top left corner of the tweet.")
![The image shows a screenshot of a Twitter conversation. The first tweet is from a user named "kroger winona ryder" with the handle "[@]bristianchale." The tweet reads, "oh there are definitely friends with consequences." The second tweet is from a user named "van haley" with the handle "[@]vanhaley_yt," and it reads, "friends w benefits implies the existence of friends w consequences." The background of the tweets is dark, and the text is white. The "Follow" button is visible next to the first user's name. The conversation appears to be about the implications of having friends with benefits.](https://blog.taursnd.haus/photo/6785461765687d8936f0fcb668928785-0.jpeg "The image shows a screenshot of a Twitter conversation. The first tweet is from a user named \"kroger winona ryder\" with the handle \"[@]bristianchale.\" The tweet reads, \"oh there are definitely friends with consequences.\" The second tweet is from a user named \"van haley\" with the handle \"[@]vanhaley_yt,\" and it reads, \"friends w benefits implies the existence of friends w consequences.\" The background of the tweets is dark, and the text is white. The \"Follow\" button is visible next to the first user's name. The conversation appears to be about the implications of having friends with benefits.")
![The image is a political cartoon by Mike Luckovich, featuring a character with blonde hair, dressed in a black suit and red tie, walking away from a yellow snake with the words "MAGA" and "DON'T TREAD ON ME" written on it. The snake is depicted as being trampled by the character's footsteps. The character is shown with a speech bubble that reads, "OBAMA, HILLARY, COMEY AND BIDEN DID IT..." The cartoon is set against a plain white background, with the artist's signature and Twitter handle "[@]mluckovichajc" visible at the top left corner.](https://blog.taursnd.haus/photo/8548876121687d831a12b51762212438-0.jpeg "The image is a political cartoon by Mike Luckovich, featuring a character with blonde hair, dressed in a black suit and red tie, walking away from a yellow snake with the words \"MAGA\" and \"DON'T TREAD ON ME\" written on it. The snake is depicted as being trampled by the character's footsteps. The character is shown with a speech bubble that reads, \"OBAMA, HILLARY, COMEY AND BIDEN DID IT...\" The cartoon is set against a plain white background, with the artist's signature and Twitter handle \"[@]mluckovichajc\" visible at the top left corner.")
Altbot
in reply to π΄ Seph π πΎ • • •Das Bild ist eine politische Karikatur, die die Auswirkungen des Klimawandels auf extreme Wetterereignisse darstellt. Im Vordergrund ist ein Haus, das bis zur Dachrinne von Hochwasser umgeben ist. Auf dem Dach steht ein Elefant in einem Anzug, der mit einem Zeigefinger nach oben zeigt. Der Elefant ist ein Symbol fΓΌr die Republikanische Partei in den USA. Um das Haus herum schwimmen TrΓΌmmerteile und HolzstΓΌcke, was die ZerstΓΆrung durch das Hochwasser verdeutlicht. Im Hintergrund ist ein Baum und ein Strommast zu sehen. Der Himmel ist bewΓΆlkt, was die trΓΌbe Stimmung unterstreicht. Am unteren Rand des Bildes steht der Text: βKlimawandel fΓΆrdert keine extreme Wetter. Ich bin hier oben fΓΌr den Blick.β Dieser Satz ist eine satirische Anspielung auf die Behauptungen, dass Klimawandel keine Rolle bei extremen Wetterereignissen spielt.
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π± Energieverbrauch: 0.246 Wh