The image is a two-panel political cartoon comparing the policies and actions of two political figures, labeled "BIDEN" and "TRUMP." The left panel, titled "BIDEN," shows a man in a suit holding a large scroll with the titles of various acts and plans, including the "CHIPS AND SCIENCE ACT," "AMERICAN RESCUE PLAN," "INFLATION REDUCTION ACT," "CHILD TAX CREDIT," "PACT ACT," and "BIPARTISAN INFRASTRUCTURE BILL." The background is a simple blue sky, and the text below reads "WORKED FOR THE GREATER GOOD."

The right panel, titled "TRUMP," depicts a man in a suit holding several large bags labeled with various financial activities, such as "REAL ESTATE DEALS," "TARIFF SCAMS," "MERCH SALES," "PARDONS $$$," "MEME COINS $$$," "GOLDEN VISAS $$$," "Bribes $$$," and "LEGAL AND MEDIA SHAKEDOWNS $$$." The background transitions from red to orange, and the text below reads "WORKS FOR THE GREATER GRIFT."

The cartoon uses contrasting imagery and text to suggest differing impacts of the two figures' actions, with Biden's actions portrayed as beneficial and Trump's as self-serving. The source of the image is credited to "RAGINGPENCILS.COM" and the artist is "MIKE STANFILL."

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La imagen es una tira cómica de tres paneles, titulada "Thursday July 24, 2025", creada por "B.C." y publicada en JohnHartman.com. En el primer panel, una mujer con cabello rubio y una toalla en la cabeza habla con un hombre con cabello marrón, ambos en trajes de baño. Ella dice, "How come this means yes...". En el segundo panel, el hombre sostiene un objeto que parece ser una aguja, y la mujer dice, "And this means no?". En el tercer panel, ambos personajes se miran con expresiones de confusión. La tira cómica juega con la ambigüedad de las señales no verbales, utilizando un contexto de playa para crear humor.

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The image features a white background with a black border. At the top, the text "HATE IS NOT SEXY." is prominently displayed in bold, black capital letters. Below this, there is a red circle with a diagonal line crossing through a black swastika symbol, indicating prohibition. The text "AGAINST FASCISM, RACISM, SEXISM AND HOMOPHOBIA." is written in bold, black capital letters, aligned to the left. The overall design is simple and direct, conveying a strong anti-hate message.

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Das Bild ist eine politische Karikatur, die die Auswirkungen des Klimawandels auf extreme Wetterereignisse darstellt. Im Vordergrund ist ein Haus, das bis zur Dachrinne von Hochwasser umgeben ist. Auf dem Dach steht ein Elefant in einem Anzug, der mit einem Zeigefinger nach oben zeigt. Der Elefant ist ein Symbol für die Republikanische Partei in den USA. Um das Haus herum schwimmen Trümmerteile und Holzstücke, was die Zerstörung durch das Hochwasser verdeutlicht. Im Hintergrund ist ein Baum und ein Strommast zu sehen. Der Himmel ist bewölkt, was die trübe Stimmung unterstreicht. Am unteren Rand des Bildes steht der Text: „Klimawandel fördert keine extreme Wetter. Ich bin hier oben für den Blick.“ Dieser Satz ist eine satirische Anspielung auf die Behauptungen, dass Klimawandel keine Rolle bei extremen Wetterereignissen spielt.

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The image features a black background with a yellow border. At the top, there is a yellow emoji with sunglasses and a smile. Below the emoji, there is white text in a serif font that reads: "Just be yourself. People don’t have to like you, and you don’t have to care." The text is centered and occupies the majority of the image space. The overall design is simple and the contrast between the black background and white text makes the message stand out clearly.

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The image depicts a cartoon scene with a man wearing a cowboy hat and vest, holding a rope, standing on the left side of the frame. He is facing a small, tilted structure resembling a bookshelf, which is filled with books and appears to be a trap. The structure is supported by a single pole and is connected to the ground by a rope. In the background, a silhouette of a person is walking towards the bookshelf trap. The setting is a barren landscape with sparse vegetation. The sky is a soft pink, suggesting either dawn or dusk. At the bottom of the image, there is a caption that reads, "ATTEMPTING TO CAPTURE A WILD LIBRARIAN USING A TRAP BAITED WITH A BADLY-ORGANISED BOOKSHELF." The artist's name, "TOM GAULD," is signed at the bottom right corner, and the image is numbered "1/100."

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The image features a humorous meme with a white background. At the top, bold blue text reads "THE MYTH OF ARTISTIC FREEDOM." Below this, two speech bubbles are visible: one from a man saying "I want to draw it," and one from a woman saying "I want to see it." On the right side, the logos of Mastercard and Visa are prominently displayed, with the text "I DON'T!" above them. At the bottom, in bold blue text, it reads "ISN'T THERE SOME RANDOM PAYMENT PROCESSOR YOU FORGOT TO ASK?" The image humorously suggests that artistic freedom is limited by the need to consider payment processors.

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The image is a political cartoon featuring a character resembling Donald Trump, depicted with exaggerated features, including a large head and a red tie. He is pointing and shouting "SQUIRREL!" in a large speech bubble. To his left, there is a dog with multiple heads, each labeled "MSM," standing with a surprised expression. The dog's heads are shaking, and one has its tongue out. To the left of the character, there is a folder labeled "EPSTEIN FILES." On the right side of the image, there is a smartphone displaying the text "CRAZY TRUMP TRUTH SOCIAL POSTS" with red lines indicating sound or movement. The cartoon is labeled "WHAM AND" and "Cagle.com/Whamord" in the top right corner. The cartoon includes a note at the bottom left that reads "Apologies to An Up! movie."

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The image depicts a cartoon scene set in a living room. A man is seated in a chair, holding a piece of bacon and a plate with more bacon pieces. He is wearing glasses, a gray sweater, and blue jeans. A speech bubble above him reads, "I TRICK HIM INTO TAKING HIS PILLS BY WRAPPING THEM IN BACON." A woman stands in the doorway, looking at the man, wearing a green cardigan, a purple shirt, and a blue skirt. A white dog with black spots is sitting on the floor, looking up at the man. The room has a lamp on a side table, a book, and a framed picture on the wall. The overall atmosphere is humorous, with the man's action of wrapping pills in bacon as the focal point.

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